Responding to a changing world
Posted by Denis Haack in America, Christian faith, Discernment, Douthat, Francis Schaeffer, Popular culture, Reactionary, Technology
The recovery of orthodox Christianity—the shape of faithfulness (I)
Posted by Denis Haack in Christian faith, Conversation, Creativity, Francis Schaeffer, Significance
Memories of a mentor: Francis Schaeffer (III)
Posted by Denis Haack in Creation, Creation care, culture, Francis Schaeffer, politics
Memories of a mentor: Francis Schaeffer (II)
Posted by Denis Haack in Asking questions, Christian faith, Francis Schaeffer, Questions, Truth
Memories of a mentor: Francis Schaeffer (I)
Posted by Denis Haack in Christian faith, Francis Schaeffer, Fundamentalism, Sacred/Secular
Deciding who to vote for, take two
Posted by Denis Haack in Discernment, Francis Schaeffer, Listening, politics, Skillen
A lovely comment arrived from Sue in response to my post titled, “Deciding who to vote for” which included a thoughtful piece by James Skillen.
Thanks so much for sharing this piece. I found it very helpful and very refreshing in a time when so much political dialogue is embedded in fierce partisan loyalties. I can engage with Skillen's ideas without feeling like I've got to wear armor.
But ... I shared the link with a group of acquaintances, thinking that it was a good model of civil discourse and might inspire some useful dialogue. Well, what it inspired was (in their own words) "a hornet's nest." According to them, the entire article is a pro-Obama, pro-Democrat, pro-second-exodus-narrative (and therefore anti-American) diatribe. One person responded, "I didn't know Francis Schaeffer was a socialist or communist." I was flabbergasted.
So ... I've long admired your patient responses to similar off-the-charts reactions to articles that you believed were well-measured critiques, but I'm wondering, how do you personally decide when to offer clarifications, further discussion, etc., and when to just say, "Hmmmm, there's not much point in continuing this discussion"? How do you graciously end a fruitless disagreement?
That’s a great question, Sue. I can’t tell you how often I’ve faced similar responses to things I’ve shared or said or taught. It can be very discouraging especially when these responses are coming from people who claim to be the people of God. Bertrand Russell used to say, “People would rather die than think; in fact they do.” He was correct, and sadly, it applies even to those who claim that following the Truth is central to their lives.
I think there are several reasons why this occurs. (I don’t know if your friends were Christians or not, but since the Francis Schaeffer comment sounds like it came from a Christian, I’ll assume they were believers here.) First, many Christians have come to believe that conformity is a measure of commitment—in other words, that believers should necessarily share not just identical doctriness and ethics, but opinions and activities. However, having a Christian mind does not mean that there is a “Christian line” on every topic. Life and reality are far richer and more nuanced than that. Second, many evangelicals, having decided that a conservative ideology embraces their political leanings, begin to confuse conservatism with Christianity. It’s a subtle process, but also a deadly one, since no ideology should be infused into the gospel. Third, few understand that political ideologies are not neutral, but are, to use a biblical theological category, idolatries. Each one, conservatism included, takes one aspect of created reality and elevates it to a position where it defines the rest of life—making it into a god, a sovereign. (For a thoughtful and fascinating study of this, see Political Visions & Illusions: A Survey and Christian Critique of Contemporary Ideologies by David Koyzis.) And finally, I am convinced that Russell was correct. Thinking is hard, listening is difficult, sorting through competing claims takes time and energy, while skating through life is far easier. So, people tend to read authors they agree with, hang with people like them, and react defensively (angrily, fearfully) when anyone says anything that doesn’t seem to line up with their own prejudices and opinions.
So, knowing that, I try not to be discouraged when I find Christians shutting down conversations. I try to keep from reacting myself, which is hard. Sometimes, I will say something like, “Why does it feel like you don’t really want to listen or talk about this winsomely?” Or, “Do you think Christians should be able to talk about this without it being a hornet’s nest?” I try to be a good listener, and calmly ask good questions. (The calmly part is the hard part, of course.) Sometimes, I just remain silent, knowing that their minds are closed to truth and that they need the gospel far more than they need help thinking about politics.
The saddest part to me in all this is not that your friends are unable to discuss such topics without defensiveness, nor that they misread Skillen, nor even that they are so closed-minded about seeking after truth with others. What is saddest to me is that they are so unsafe to talk to. Margie and I have long prayed our home would be the safest place in Rochester, where people can explore ideas without fear and where they can be themselves without being treated dismissively.
Anyway, be safe, Sue. Not in the sense of keeping out of danger (though I wish that for you, too), but in the sense of being a person who, like Jesus never compromised but with whom people understood they could be with, without having to wear armor. As you do, remember that some walked away from him angrily after stirring up hornet’s nests, too.
And thanks for your kind words.
“Why do you review worldly music?”
Posted by Denis Haack in Christian faith, Critique, culture, Discernment, Francis Schaeffer, Music, Ransom Fellowship, World
Several times over the past year a friend has commented that Christians he knows have asked him why I review “worldly music” in Critique and on Ransom’s web site. I wish they would have asked me directly, but they haven’t. So I thought I’d post an answer here in the hope they find it.
I appreciate your question. It represents a desire to be holy, to be set apart from what is sinful. It means you take seriously Paul’s instruction in 1 Corinthians to stay clear of inappropriate relationships in a fallen world. “‘Therefore go out from their midst, and be separate from them,’ says the Lord, ‘and touch no unclean thing; then I will welcome you.’” (6:17). John issues a similar warning. “Do not love the world or the things in the world. If anyone loves the world, the love of the Father is not in him” (1 John 2:15).
Paul defines being separate for the Corinthians by identifying relationships with non-Christians that involve compromise. He asks how God and idols, light and darkness can possibly be mixed. And in his first letter to them Paul explicitly instructed them not to withdraw from non-Christians—he even insisted that it is wrong for us to judge them (1 Corinthians 5:9-13). And when John warns us to not love the world, he is careful to define what he means. “For all that is in the world—the desires of the flesh and the desires of the eyes and pride in possessions—is not from the Father but is from the world” (1 John 2:16). Notice he doesn’t list things like art, music and culture, but sinful desires. What is worldly is not that which is produced by non-Christians, but the seductive systems of thought and desire that a fallen world erect in rebellion to God’s proper reign as Sovereign. In other words, building something is not wrong; building the tower of Babel was.
In Creation, human beings were made in God’s image (Genesis 1:27), given a mandate to care for and cultivate God’s world (1:28), and when our first parents exercised their creativity in poetry (2:23) and naming God’s creatures (2:20), God was pleased, including Adam’s poem in his Word and refraining from naming the animals himself (2:19). All of Scripture reveals the creativity of God’s people (see, for example, Exodus 35:30-35 and Psalms), and he has graciously told us that even after the Fall the creativity of unbelievers can be appreciated and celebrated because the image of God remains in them (Genesis 4:20-22).
At the Fall, a violent and fatal break occurred. Death and wickedness poured out of the human heart, perverting every relationship, bringing darkness as the sons of Adam and daughters of Eve preferred idols to the true God. How we understand the Fall and it’s relationship to the world we live in makes a great deal of difference. Misunderstand it, and we begin to believe a false gospel.
Think of it this way. Imagine that this list includes all of God’s creation when he called it into existence and declared it good—very good, in fact:
worship
spirituality
family
work
rest
gardening
art
animals
plants
matter
energy
Now we need to ask how the Fall effected that list. There are, by and large, two possible answers. One answer says that what’s wrong is rooted in the very structure of creation. That there is a break between what is secular or worldly on one side and what is spiritual or heavenly on the other. God is pleased with the first, but not the second. In this view, the list looks like this:
worship
spirituality
family
work
rest
gardening
art
animals
plants
matter
energy
In this view, gardening is on the physical not the spiritual side. It’s not exactly sinful to have a garden, but we can make it more pleasing to God if we share the produce with our non-Christian neighbors and use the chance to let them know how to be saved. The same would be true for all secular pursuits—they may not be sinful, per se, but they aren’t on the spiritual side, either.
Now, what I am going to say may surprise or even offend you, but I hope you will consider it carefully. The view I have just explained is not a biblical perspective, but is instead rooted in a neo-pagan Greek view of reality. It is a popular idea among Christians—and has been popular for 2000 years—but that doesn’t make it correct. In a biblical view of things, there is no division between spiritual and physical, between sacred and secular. The biblical perspective is this:
wors hip
spiri tuality
fam ily
wo rk
re st
garde ning
ar t
ani mals
pla nts
mat ter
ene rgy
The Bible teaches us that at the Fall a moral rupture occurred that runs through all of life. There is no sacred/secular division. What is spiritual is not more pleasing to God than what is physical. Evangelism is not more pleasing to God than farming, and reading my Bible is not more spiritual than reading fiction. In the biblical view, although I may desire to worship God in spirit and truth, my worship is always marred by my sinfulness, even if I can’t identify exactly how. And sometimes I can identify how—whether pride in doing it right, or impatience with those who I think pray poorly. All art is thus affected, both music produced by Christians and that produced by non-Christians. In fact, the music produced by Christians may, sadly, exhibit less truth and beauty that music produced by non-Christians.
So, we need to be discerning—about all of life and culture—which is why I review the music I do in Critique and on Ransom’s web site. Just as all truth is God’s truth, all beauty is God’s beauty. The scientist that discovers a cure for rheumatoid arthritis may not be a Christian, but that doesn’t mean she hasn’t discovered real truth. Artists like Sigur Ros and Radiohead may not be Christians but that doesn’t mean that they don’t produce hauntingly beautiful music. And since the work of our hands and minds reveal what we really believe about the things that matter most, listening to the music of our culture can help us understand how to engage our neighbors and co-workers with the gospel in a way they might be able to understand.
I know that if you think I review worldly music, what I’ve written here may come as a shock. I am saying you have adopted a perspective—unsuspectingly and perhaps unconsciously—that causes you to misread the Scriptures you love. It’s a very serious matter. The notion that what’s wrong from the Fall is rooted in the structure of creation (a spiritual/physical, sacred/secular divide in life) is properly referred to as the Gnostic heresy. The biblical gospel, in sharp contrast, says that all of life across all of culture, lived to God’s glory and under Christ’s Lordship, is equally pleasing to God. This is really very important—a Gnostic faith is not the gospel of our Lord Jesus Christ.
Much more needs to be said, to make a compelling case for what I am saying, but this is a post on a blog not a book. So let me recommend three books worth reading:
Being Human: The Nature of Spiritual Experience by Jerram Barrs and Ranald Macaulay (IVP). These two former L’Abri workers address the question of a sacred/secular dichotomy in detail, carefully moving through the Scriptures and showing how neo-pagan thought has sadly infiltrated Christian circles.
Unfashionable: Making a Difference in the World by Being Different by Tullian Tchividjian (forthcoming from Multnomah). The grandson of Billy and Ruth Graham explores in careful detail what it means to be separate from the world, and the difference it makes.
Art and the Bible by Francis Schaeffer (IVP). A short booklet that introduces a distinctly biblical understanding of art and culture.
Please read them, and reflect on what I have written. It would be far better if we had a chance to talk, so I can be certain I know what you mean by your question. If I misunderstand what you meant, please let me know. But if behind your notion of “worldly music” is the idea that art is less important than, say, missions, that pursuing spiritual things like evangelism is more pleasing to God that doing something physical, like art, or that the music of non-Christians is intrinsically something of the world we must withdraw from, please hear me. Your entire understanding of Christian spirituality is less than biblical, and the gospel you profess is perverted with Gnostic elements.
It’s not, in the end, an issue of what music we like or happen to listen to. It’s a matter of what gospel we profess.
Not too far outside Rochester, in clear view as we drive past on the highway, is a commercial diary enterprise. It produces a prodigious amount of milk. What is missing is the pastoral scene that usually comes to mind when we think of a dairy farm. There are no dairy cows grazing in a green pasture ranging over slightly rolling hills. The reason is that in this factory the cows never leave their stalls. Day and night, week after week, the cows stand in long lines, each tethered to a stall that they will leave only when they die. Their food is brought to them with an efficiency that could only be developed by engineers that know to fine tune machinery to never miss a beat. The stalls are kept clean by more technology, numerous men in huge tractors and trucks circling the long barns in a steady mechanical ballet. The cows don’t live as long as those that are allowed to live more normally. But the economics of production take that into account—in this sort of dairy factory, the shortened lives of the cows is just part of the cost of doing business. The milk that ends up in grocery stores is saturated with antibiotics, needed to keep the cattle from illness because they are crammed into such close quarters. Similar commercial farm enterprises raise hogs, chickens, sheep, and turkeys in similar conditions.
Huge feedlots fatten beef cattle on corn in crowded pens devoid of plants and thick with excrement. We passed numerous feedlots this autumn as we drove between Minnesota and Colorado this autumn, each time praying the wind would carry the stench away from us. You can’t smell the antibiotics, but it’s easy to understand why more are needed at this stage of production.
I realize there are arguments in favor of this approach to producing food. Cattle fattened on corn yield marbled meat that most people prefer in taste. More important, the systematic application of engineering standards of efficiency allows fewer people to produce much larger quantities of meat and milk. Advances in technology allow new approaches to farming that increase production at lower cost. In a world like ours, still haunted by hunger, such things are not insignificant. And with the recent turmoil in the world of finance, I suspect that arguments involving higher food costs and increased governmental regulation will not be applauded by a lot of good people.
Still, I find these developments in commercial farming to be an occasion for grief. I am not a vegetarian, but as a Christian I am committed to the biblical teaching that cows, chickens, pigs, sheep, and turkeys are my fellow creatures in a world God has made and sustains by his word. The cultural mandate of Genesis 1:28—a mandate we live under as we walk our days before the face of the Creator—is to cultivate God’s good earth. To care for it tenderly as his stewards, for it remains his. To mistreat it is to mistreat him and to be dismissive of our calling to be faithful. To mistreat animals is to demean their Maker.
Deciding to eat locally grown, organically produced meat, egg, and dairy products has increased our food costs a little. I do not regret that decision. I realize that every family may not be able to afford to do the same. So be it. I am not interested in promoting new legalisms. I also realize that trying to change commercial farming will likely involve governmental action, and that is not always a completely happy prospect. Nor do I wish to anthropomorphize the fate of farm animals. As creatures we are fellow creatures; as human beings, unlike them we are made in God’s image. That’s a real difference, and it matters.
I do want to argue, however, that Christians take creation seriously. And that includes treating our fellow creatures with the dignity and care that is intrinsic to their natures as part of the gloriously interconnected world that God called into existence. Though ruined by brokenness it need not include mistreating fellow creatures because of greed.
One place to begin is to read two books, one fairly old, the other new: Pollution and the Death of Man (1970) by Francis Schaeffer, and The Omnivore’s Dilemma (2007) by Michael Pollan. I recommend them both.
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